But it’s no “Roseanne,” which ended the 2017-2018 TV season with a 6.2 rating. Its replacement, “The Conners,” did very well, all things considered: It’s broadcast TV’s top-rated new comedy, if you consider it a brand-new show, averaging a solid 2.3 rating in the demo - justifying ABC’s desire to bring the show back even without star Roseanne Barr. 1 show, “Roseanne,” didn’t return - for reasons everyone’s pretty familiar with by now. Hopefully someone finds the right DNA for a comedy hit.” We’re trying to break the comedy code, and we’re all going to give it a shot in our own way next season.
“That’s been a recurring theme for a long time. “Comedy is something we’re all trying to figure out,” said one network exec. In the traditional total viewers ranker, which does feature seven days of time shifting, the comedy barely squeaks into the top 100.
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Perhaps it’s another example of audiences shifting to other platforms: At the upfronts, NBC proclaimed that “The Good Place” is actually its most-viewed series - thanks to non-linear viewership. Among adults 18-49, CBS’ “Young Sheldon” and ABC’s “Modern Family” and “The Conners” are the only other sitcoms in the top 25, while the total viewers top 25 only features “Big Bang,” “Young Sheldon” and “Mom” in the top 25. 1 comedy, CBS’ “ The Big Bang Theory,” goes away, the networks are finding it difficult to make viewers laugh. In demos, “Game of Thrones” took the crown - but after that, football took the second, third, and fourth positions.Ĭomedy: As TV’s No. Also up: Fox and NFL Network’s “Thursday Night Football” package, and ESPN’s “Monday Night Football” lineup. NFL football: Remember all that talk about football ratings declining? The erosion of NFL viewership has been greatly exaggerated, as NBC’s “Sunday Night Football” ended the year as the most-watched program for the 8th year in a row, and its 19.3 million viewers is up from last year’s 18.3 million. 1 among adults 18-49, and beat all but two broadcast shows (available in nearly 100 percent of the country) in total viewers. “ Game of Thrones”: Plenty has been written about the success of the final season of HBO’s juggernaut, but nonetheless it’s remarkable to see a show available to a fraction of TV households - about 35 to 40 percent of the country - rank No. “The Masked Singer” also flew counter to most talent competition shows this season: “The Voice” and “American Idol” are down, while CBS’ “The World’s Best,” despite premiering after the Super Bowl, was a flop.
“The talent competition and singing competition genre was ripe for a breath of fresh air.”įox is taking advantage of the hit, scheduling two cycles next year and also airing an edition after the Super Bowl. “It’s the kind of confirmation that it’s still possible to launch new hits, especially with fresh formats,” said Fox research head Will Somers. It’s also the highest-rated reality show in four years. And not just that, it’s the top-rated entertainment series overall, tied with “This Is Us,” on the broadcast networks. “The Masked Singer”: Who would have thought that a campy show about celebrities attempting to sing pop hits, while under heavy masks and costumes, would be this year’s primetime sensation? Fox’s “The Masked Singer,” based on a South Korean format, blew audiences away as the No. Here’s a final look at some of the hits and misses of 2018–2019, followed by our complete list of the 100 most-watched shows of the season, according to both adults 18-49 and total viewers. And with another TV season drawing to a close, Variety looked at the season-to-date rankers for broadcast and cable, using the most recent live+7 ratings (which include seven days’ worth of DVR and video on-demand usage). “Reach” is one way to guide advertisers, he added, but it’s not a perfect stat either.īut ratings remain the most common way to compare the linear performance of shows both on broadcast and cable. What you’re seeing is continued progression away from conventional metrics.” Fox executive vice president/head of research Will Somers said as ratings diminish, he still sees them as “part of what’s an increasingly fragmented puzzle, but an incomplete one.
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